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The Nordic Ingredient : European Nationalisms and Norwegian Music since 1905. 2019
Inhalt
Imprint
Contents
The “Nordic Ingredient” – Introduction
Manifesting the National Idea: Edvard Grieg or How His Biographers Saw Him (Ina Rupprecht)
Cultural development in Norway
Edvard Grieg og hans værker: et festskrift i anledning af hans 60årige fødselsdag
Expressing “Nordic” Greatness: Wagnerism in Norway 1905–1945 (Andreas Bußmann)
1. Wagnerism in Norway – Remarks on music historiography
2. Early stages of Wagnerism in 19th century Norway
3. Post 1905: Military and orchestral music
4. Expressing greatness and frustration: Wagner stagings 1919–1939
5. Expressing “Germanic-Nordic” greatness: Wagner in occupied Norway 1940–45
6. Consequences
Ideas on National Music in Interwar Norway (Ingrid Loe Landmark (neé Dalaker))
“The national” in modernizing Norway – a changeable concept
Eivind Groven (1901–1977)
Bjarne Brustad (1895–1978)
Klaus Egge (1906–1979)
Norwegian historiography revisited
“Monumentalism” in Norway’s Music 1930–1945 (Arnulf Mattes)
I. Building a Nation after 1905
II. Voluspå: Opus Magnum of Norwegian Musical Monumentalism
III. Patriotic Gesamtkunstwerk: The Continuation of Cultural Nationalism Until 1940
IV. Monumentalism under Occupation: Celebrating National Myth after 1940
V. Coming to Terms with the Past? When Monuments turn into Propaganda Sites
VI. Epilogue: Monumental History and National Myth-Making
Master or Puppet? Cultural Politics in Occupied Norway under GW Müller, Gulbrand Lunde and Rolf Fuglesang (Michael Custodis)
Facts and Ideologies I – GW Müller
Facts and Ideologies II – Lunde
Facts and Ideologies III – Fuglesang
Epilogue
Harald Sæverud’s Kjempeviseslåtten – A Typical Resistance Composition? (Friedrich Geiger)
Rebuilding Norwegian Music. From Valevåg to Tanglewood and Darmstadt (Arvid O. Vollsnes)
Approved rituals
A new musical life
Young Europeans
Alternatives in Education and Aesthetics – the Nordic Connection
Sweden
Denmark
Valevåg
Alternatives – France
Darmstadt
Across larger waters – Norwegian musicians in the US
New Possibilities in Norway
“Nordisk” – “Aryan” – “Identitär”. Music for the New Right (Michael Custodis)
Musical idioms
Turning fiction into violence
Frequently Asked Questions
No Escape from Politics? On Grieg’s Afterlife in Norwegian Memory Culture (Arnulf Mattes)
II. Commemoration and Crisis: The Grieg Anniversaries 1917–1945
III. Grieg Commemorations after 1945: 1993 and 2007
IV. 2018 and Beyond
Resistance to Totalitarianism: The Polyphony of Literature and Music (Boris Previšić)
1
2
3
Index of Names